My art practice shows mainly through the light materials I use, generating a conceptual and poetic dimension by their interaction with the elements: the wind, running water, the race of the sun... ​

Movement is the core of my works and whenever it is possible, I rely on the breath of nature as a sculpting force. Embracing its rhythm, the behavior and perception of these in situ installations constantly change according to the weather conditions.

Using kinetic effects, vivid colors and dimensions matching the scale of the landscape or surrounding architecture, I favor a strong visual impact. Like nature multiplying individuals of the same species, repeating a basic element capable of random movement, allows me to create installations large enough for the viewers to immerse themselves in, surrounded by fields of optical and sound vibrations.

Whether in a natural site, in an urban environment or inside a large building, the history and topography of each location trigger ideas, allowing for a meaningful relationship between the installation and its setting.

The preparatory conceptual work and technical experimentation, the journeys and the discovery of new territories, the teamwork required to achieve the larger scale installations, the exchanges with viewers and other artists, all weave memory ties and exploratory links around and beyond the artwork itself, that will contribute to future projects. It is this adventure as a whole that drives my work.